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Take 6

I am a huge Take 6 fan. They, along with Commissioned, are my favorite singing group of all-time.

Apart from their phenomenal music, here is one special reason.

My sister, Tabitha, passed in the summer of 2009. Up until that point, I was not very close to my mother's family. But at Tab's passing, my moma's family drew really close to us. And we to them, like never before.

Moma's mother is one of eleven children raised on a farm in Wilkes County, Georgia. Among those eleven were 6 boys and 5 girls.

The six Andrews men are my great-uncles: James "Mule," Mack, Leroy, Moses "Mose," Allen, and Dennis. Uncle Mule died the same year I was born. I never got to meet him. But the other five are some of the nicest, supportive, wise, funniest, and loving men I could ever ask for in uncles. Since 2009, all five of them have been special parts of my life.

I am thankful.

Take 6 is a group of six men. I have six great uncles. Every time I listen to Take 6 I think of my uncles.

To my uncles, my Andrews family, my Willis family, I love you all! You are a very special part of who I am! Family is everything!!!

With four of my uncles. From left to right: Uncle Leroy, Uncle Dennis, Uncle Mose, Uncle Allen, and me.


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The Synth Sounds

I am excited to share that my first jazz project is nearing completion. (Also why this is my first post this month).

Other than piano, you can definitely expect to hear sounds of 1980's and 1990's-era synthesizers filtered throughout the upcoming album.

I admire the newer sounds we have today, but none of them quite replicate the original, synth-led sounds of 80's and 90's music.

In my opinion, 80's and 90's sounds present the perfect crossover of analog and digital mixes that were limitless in use and expression.

It is no wonder that modern synthesizers today still draw inspiration from 80's and 90's technology. It was simply some of the most innovative audio machinery ever created.

No shame here. Expect 80's and 90's vibes to come your way in my upcoming project.

Stay Tuned!!!

A pile of my module racks from the 80's and 90's used and simulated on my upcoming jazz album.

CFC Youth Day

CFC Youth Day was nothing short of remarkable.

Children, teenagers, young adults (my generation) sang, danced, praised, and worshiped God with passion, love, joy, energy, and sincerity.

We led, both, the 8:00 AM and 10:00 AM services and the LORD ministered through us in His own powerful way.

I am very grateful to have preached at the 10:00 AM service. (Came from 2 Timothy 1:7).

Something amazing happens when we move ourselves out of the way and allow the LORD to communicate His Word through us. He does for us what we cannot do for ourselves. And when you summarize the meaning He brings to life, you realize that all the of the glory belongs to Him.

The reality of God's presence gives life, and everything we involve ourselves in, brand new meaning.

God's awesomeness was displayed in a monumental way today. A flame was kindled in our youth and the church as a whole.

Today was special.

Big thanks to everyone who helped make today such a great success, you know who you are!



Last night, the very last night of our NYC vacation, my parents and I attended a jazz show at the legendary Birdland.

GRAMMY nominated jazz vocalist Karrin Allyson was in the house.

Before I go any further, I must give kudos to Allyson and her band consisting of Miro Sprague (piano & Rhodes), Jeff Johnson (upright & electric bass), and Jerome Jennings (drums). They were great!

Allyson's clear voice and the band's musical prowess made for a top-quality performance. There is no room to doubt: everyone on the stage last night were professionals.

Being at Birdland is an experience, if anything, because of its rich history in providing a venue in entertainment-rich Manhattan for jazz artists and musicians.

This is the same Birdland that George Shearing wrote "Lullabye of Birdland" about and artists such as Ella Fitzgerald, Dexter Gordon, Lionel Hampton, Sarah Vaughan, Quincy Jones, Chaka Khan, Amy Winehouse, Mel Torme, Erroll Garner, and Nikki Yanofsky later sang …